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 <front>
  <journal-meta>
   <journal-id journal-id-type="publisher-id">Medicine and Art</journal-id>
   <journal-title-group>
    <journal-title xml:lang="en">Medicine and Art</journal-title>
    <trans-title-group xml:lang="ru">
     <trans-title>Медицина и Искусство</trans-title>
    </trans-title-group>
   </journal-title-group>
   <issn publication-format="online">2949-2165</issn>
  </journal-meta>
  <article-meta>
   <article-id pub-id-type="publisher-id">85416</article-id>
   <article-id pub-id-type="doi">10.60042/2949-2165-2024-2-2-95-105</article-id>
   <article-categories>
    <subj-group subj-group-type="toc-heading" xml:lang="ru">
     <subject>ТЕОРЕТИЧЕСКИЕ СТАТЬИ</subject>
    </subj-group>
    <subj-group subj-group-type="toc-heading" xml:lang="en">
     <subject>THEORETICAL ARTICLES</subject>
    </subj-group>
    <subj-group>
     <subject>ТЕОРЕТИЧЕСКИЕ СТАТЬИ</subject>
    </subj-group>
   </article-categories>
   <title-group>
    <article-title xml:lang="en">JEAN CARZOU'S CONTRIBUTION TO THE THEATRICAL-DECORATIVE ART OF FRANCE</article-title>
    <trans-title-group xml:lang="ru">
     <trans-title>ВКЛАД ЖАНА КАРЗУ В ТЕАТРАЛЬНО-ДЕКОРАЦИОННОЕ ИСКУССТВО ФРАНЦИИ</trans-title>
    </trans-title-group>
   </title-group>
   <contrib-group content-type="authors">
    <contrib contrib-type="author">
     <name-alternatives>
      <name xml:lang="ru">
       <surname>Камалян</surname>
       <given-names>Маргарита Арсеновна</given-names>
      </name>
      <name xml:lang="en">
       <surname>Kamalyan</surname>
       <given-names>Margarita Arsenovna</given-names>
      </name>
     </name-alternatives>
     <email>margamargaritakamalyan@gmail.com</email>
     <bio xml:lang="ru">
      <p>кандидат искусствоведения;</p>
     </bio>
     <bio xml:lang="en">
      <p>candidate of art criticism;</p>
     </bio>
     <xref ref-type="aff" rid="aff-1"/>
    </contrib>
   </contrib-group>
   <aff-alternatives id="aff-1">
    <aff>
     <institution xml:lang="ru">Институт искусств Национальной Академии Наук РА</institution>
     <city>Ереван</city>
     <country>Армения</country>
    </aff>
    <aff>
     <institution xml:lang="en">Institute of Arts of the National Academy of Sciences of the Republic of Armenia</institution>
     <city>Yerevan</city>
     <country>Armenia</country>
    </aff>
   </aff-alternatives>
   <pub-date publication-format="print" date-type="pub" iso-8601-date="2024-07-15T08:34:12+03:00">
    <day>15</day>
    <month>07</month>
    <year>2024</year>
   </pub-date>
   <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2024-07-15T08:34:12+03:00">
    <day>15</day>
    <month>07</month>
    <year>2024</year>
   </pub-date>
   <volume>2</volume>
   <issue>2</issue>
   <fpage>95</fpage>
   <lpage>105</lpage>
   <history>
    <date date-type="received" iso-8601-date="2024-07-15T00:00:00+03:00">
     <day>15</day>
     <month>07</month>
     <year>2024</year>
    </date>
   </history>
   <self-uri xlink:href="https://medicine-art.ru/en/nauka/article/85416/view">https://medicine-art.ru/en/nauka/article/85416/view</self-uri>
   <abstract xml:lang="ru">
    <p>В 50-60-ых годах прошлого столетия именитый французский художник армянского происхождения Жан Карзу (Гарник Зулумян, 1907-2000) создал семь произведений театрально-декорационного искусства для музыкальных и драматических театров Франции, оформив оперу-балет Жана-Филиппа Рамо «Галантная Индия», балет Адольфа Адана «Жизель», драму Жана Расина «Атали», оперетту «Перикола» Жака Оффенбаха и т.д. Цель данной статьи - на основе архивных материалов представить и проанализировать театрально-декорационное творчество Карзу. Художественные оформления постановок маститых режиссеров и хореографов Франции того времени Мориса Леманна, Ролана Пети, Джона Батлера и др., Карзу создавал подолгу, совмещая их видение со своей по-карзуевски неповторимой эстетикой. Эти яркие, высокохудожественные произведения имели успех, в некоторых случаях способствуя необходимой театру полимодальной синестезии. Данные работы украсили сцены престижных мировых театров - Гранд-опера́, Комеди Франсез, Ла Скала...</p>
   </abstract>
   <trans-abstract xml:lang="en">
    <p>In the 50-60s of the last century the famous French-Armenian artist Jean Carzou (Garnik Zouloumian, 1907-2000) created seven works of theatrical-decorative art for musical and dramatic theaters of France, having designed Jean-Philippe Rameau's opera-ballet «Les Indes Galantes», Adolphe Adam's ballet «Giselle», Jean Racine's drama «Athalie», Jacques Offenbach's operetta «La Périchole», etc. The aim of this article is to present concisely and analyze Carzou's theatrical-decorative work on the basis of archival materials.For stage designs of the productions by venerable directors and choreographers of France of the time, like Maurice Lehmann, Roland Petit, John Butler and others Carzou worked for a long time, combining their vision with his own unique aesthetics. These vibrant, highly artistic works were a success, in some cases contributing to the polymodal synesthesia requisite for theater. These works have graced the stages of the world's most prestigious theaters - Grand Opera, Comédie Française, La Scala...</p>
   </trans-abstract>
   <kwd-group xml:lang="ru">
    <kwd>Жан Карзу</kwd>
    <kwd>театральный декоратор</kwd>
    <kwd>французская сцена</kwd>
    <kwd>1950–1960</kwd>
    <kwd>музыкальный театр</kwd>
    <kwd>драматический театр</kwd>
   </kwd-group>
   <kwd-group xml:lang="en">
    <kwd>Jean Carzou</kwd>
    <kwd>theater decorator</kwd>
    <kwd>French stage</kwd>
    <kwd>1950–1960s</kwd>
    <kwd>musical theater</kwd>
    <kwd>dramatic theater</kwd>
   </kwd-group>
  </article-meta>
 </front>
 <body>
  <p></p>
 </body>
 <back>
  <ref-list>
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 </back>
</article>
